Have been experimenting with the idea of developing work based on the 'Big Yorkshire Skies' images. It's difficult because there is absolutely NO structure to work with, no linear qualities, purely texture (and I really do feel at home with structure... this is a challenging me a bit... ok well maybe a bit more than a bit). The texture has been manipulated on both the top (glass) and base layer, the latter being salvaged fabric and paper, with the former being colour (possibly too strong in areas). There are areas that I love (the stripey bit and translucent grey areas), and parts that I find dreadful (the heavy blues). But I do think that I'm pleased with fact that there is a balance of both layers.
Some of the textures that have been layered and stitched underneath the glass.... |
(Holds head in hands and says 'grrrrrrrr')